Satirical Nativity Scenes at American Churches Push Back on Immigration Enforcement

Throughout the United States, Christmas exhibits have appeared that mock hardline government immigration policies. These installations reimagine the traditional nativity story, depicting the newborn Jesus and his parents, Mary and Joseph, as figures affected by the actions of immigration authorities.

A Stark Interpretation in Evanston

One powerful display at a congregation in the Chicago suburb of Evanston features baby Jesus placed within a manger out in the snow. However, the figure is wrapped in the type of thin, foil blankets often given to detainees and has its hands bound with zip-ties.

Close by, the statue of Mary stands outside the building, wearing a gas mask. Such gear has been used by activists attempting protection from tear gas. She is flanked by figures of Roman soldiers, however in this scene they are dressed in tactical vests marked with the letters “ICE.”

‘The Holy Family is in Hiding’

At a different Chicago church, the customary models of Jesus, Mary, and Joseph are conspicuously absent from the standard nativity scene featuring camels and donkeys and wise men. In their place, a sign carries a simple statement: “Because of ICE activity in our neighborhood the Holy Family is in seclusion.”

“The holiday season is a period when we have displays out on the lawn and we get an opportunity to say something,” said a church leader involved with one of the installations.

Statements Echo Nationwide

These artistic statements reflect the visible role played by faith leaders in ongoing demonstrations against federal policies. Comparable political exhibits have appeared in multiple states.

In one New England state, a parish took away the tiny figure of the baby Jesus from its creche. In its spot was a handmade notice that stated: “ICE was here.” Church officials reportedly stood defiant despite criticism from both diocesan and agency leadership.

Connecting Biblical Narrative and Modern Crisis

According to the creators of these scenes, presenting the ancient tale of the nativity within a modern sociopolitical frame draws attention to ongoing government agendas. They argue that the holy family’s experience as displaced persons mirrors the actual fears and experiences of numerous families today, including family separation and the removal of working loved ones.

It is not the initial instance congregations have employed Christmas displays for political protest. Previously, displays have addressed issues ranging from war to the environmental emergency.

Encountering Criticism and Enduring the Elements

The statements are not always widely accepted. A church minister involved commented that some critics either misinterpret the message or “find it really challenging to their conscience and are lashing out at the display rather than engaging with what the actual message is.”

In a literal sense, the elements have also impacted one scene. At a separate church, the figure of St. Joseph was knocked over in a storm and could not be restored. A replacement sign now marks the spot, stating: “Joseph was lost. We hold this space to honor and remember all the victims of enforcement actions.”